I had the esteemed privilege of catching this show on a last minute, “Oh shit, I totally forgot this show was this weekend!” moment. The Empty Bottle is one of the best places to host a show with a group such as Shrinebuilder, one of the most epicly epic heavy metal supergroup lineups every formed. It’s like Thor, Zeus, Odin, and Batman (all badasses and metal as fuck) formed a group and played a show in your neighborhood dive. Good times. Tight tunes. And the quote of the evening goes to Dale Crover at the end of the near 1.5 set with, “That’s all the songs we know. Go back out and pay to come back in.”
It was a 2 set night…
Here’s some live footage I caught on my shitty phone that likes to pretend it’s an iPhone.
Posted in Reviews on November 19th, 2009 by Viking Beard – 1 Comment
If you’re going to miss out on seeing Baroness near you on the tour for the Blue Record, well then you can count me in on that list as I wont be anywhere near Chicago on November, 25th for the show at Reggies. No, I’ll be enduring a lovely six hour drive back to the greatest redneck Midwestern state in the Union whose only consistently good football happens to be apart of the NCAA Big Ten Conference. Oh well, if you can’t join ‘em, I say watch ‘em on the internet.
Check out some of the footage from the D.C. show below. Looks like it was one helluva kick ass time.
That’s Athens, Ohio for those of you who didn’t know
I fucking love SKELETONWITCH (all caps because they rule). Their brand of thrash-death-black-metal is exactly what every neo thrash band that is saturating metal labels everywhere wishes they could sound like. I highly recommend both “Beyond The Permafrost” and their new recently released full length, “Breathing The Fire”.
Here’s the new video for the single Repulsive Salvation. Pretty standard metal video. Great song though. Thrash!
Maybe Coalesce is the new Tool. They’ll release one slab of awesome every 8 or 10 years and then fade into obscurity only to return again after another 10 years of nothing. The only difference being Coalesces’ OX and this new EP are much more interesting to listen to than Tools’ last record. Which I can’t even remember when came out and don’t care to wiki it so suck it.
“It’s like your eye is a cock, balls deep in a peyote button butthole.” – Jay Randall, Agoraphobic Nosebleed
I like grindcore. A lot. I also like it when grind bands express themselves in as many ways possible. If it means having a giant pot monster come onto the stage during your set, awesome. If it means creating a dvd-audio noise-ambient-doom record companion piece, awesome. If it means having beach balls, a mini basketball hoop, basketball, man-thongs, and full frontal nudity, awesome. If it means making a movie based on the concept record you made? Um…I guess?
Uhhhh...
First off, I didn’t really like Fuck The Facts‘ “Disgorge, Mexico”. I suppose I was still too busy digging the shit out of Pig Destroyers‘ “Phantom Limb”. And, I never would have even realized there was enough “concept” behind it to warrant a movie when I did take the time to listen to it. With that said I can’t exactly form an opinion here that a short film would be good or bad. Hell I haven’t even seen the movie! What’s the point of this post again?
Right…here’s the link to the website for the film. And if anyone happens to know the authentication credentials to actually watch the clips that I’m talking about I’d appreciate it if you would leave it in the comments.
I didn’t get to see them because I was still drinking beer and having dinner at CityGrille. Best burger in Denver.
(The blood I bleed is clogged indeed)
Converge
I missed half their set because the Fillmore is a large ass ballroom much like the Aragon in Chicago, but only has three security guards patting people down to let them in.
That is poor planning
I then had to piss really bad after standing in the line (I drank a lot of beer before leaving CityGrille)
Converge needs to actively not play large venues. Their stage presence just lends itself to small venues much better where J Bannon can get down and interact with the crowd.
Their drummer looks like he is having the best time ever every time I see them live.
I am jealous as hell of their drummer
Small pit, but it was pretty obvious a lot of the people there had no idea who these guys were
I only then remembered that I still haven’t heard this new album everybody says is so good.
Mastodon
Full length movie (like, real movie) played on the giant screen behind them while they played Crack the Skye in its entirety.
There are a lot of hashers in the Denver metal scene. I was contact buzzed by the end of ‘The Czar’.
Make really really buzzed
I blame this absurd level of weed intake on why the crowd was too busy to mosh much or do anything really besides watch the screen and bob their heads.
That movie was really cool if not a little depressing. I was high enough by the end of the movie to emotional identify with the kid in the coma from the album. Beat that!
Bran said “hank you Denver” at the end and that was all the chit chat.
Not much movement on the stage during the whole show for the most part
Mastodon is now a live prog band and I’m saying that as a diss.
Did you ever see The Rock with Nick Cage and Sean Connery? If you did, you should remember the scene where Agent Goodspeed is exposed to the insanely deadly VX nerve agent. He is then faced with the ultimate decision to either let his flesh boil and eyeballs pop out, or stab himself in the heart with an over sized syringe filled with the antidote to save his own life. Sorry to be a spoiler if you weren’t around in ’96 to catch it, but Goodspeed balls up to the obvious choice and ends up lunging the syringe into his chest to save his life. Adrenaline rush, dilated pupils. Awesome.
So what the fuck does this have to do with Converge? Watch the video below, and then continue reading.
Wasn’t that fucked up and fast? Let me tell you something, this analogy of facing an adrenaline-amped, life threatening moment and having an even worse life threatening decision to make to save yourself was the first thing that popped into my head while listening to “Axe To Fall” the very first time. This record makes me think of all the artist interviews I’ve ever read in books and magazines where they describe their music as something that “you can interpret in your own way.” This is exactly what I get out of Axe and what I can gather as an insane trip into Deaths’ icy grip and then having to save your own ass to get out.
I think any fan of Converge old or new will dig the shit out of this. Everything on this disc is perfect. Goddamn perfect. Guitars, drums, and bass flame, as well as embellish in the kind of heroics akin to metal gods of yesteryear. All the while, sounding brand new. Jacob Bannons’ vocals are and always have been throat tearing and unintelligible. But in my opinion his frenetic delivery is just one more devilish cog in the grinding speed that the majority of this album delivers. Make no mistake, this is the record you will put on your stereo at ear bleed levels and rock out to in your living room. All the meanwhile, jumping off your coffee table playing air guitar and punching the shit out of the air pretending to beat some phantom assailant who wants you dead.
Mood makers.
Nate Newton’s Doomriders‘ influence bleeds through perfectly into the songs. Any fan of the Motorhead meets Kyuss side project will know what to expect in terms of riff quality. To newcomers, any chance you get to think of this record as “traditional hardcore” will be thrown out with every passing hammer-on-pull-off double-whammy riff infused with a blues (Yes, blues) melody. *See album closers “Cruel Bloom/Wretched World” for what this means.* Although, you may have already had a coronary by the time the intense thrashing of “Cutter” breaks loose and knifes you in the dome.
It’s just too hard to believe and to say that this has easily topped everything they’ve ever written. Um, hello past three Converge releases?! Jane Doe?! I can’t believe I just fucking wrote that.
If they get any better than this, well…worms will feed.
Hands-down the heaviest Converge album yet. Also has about as many guest vocals as the last 50 Cent album. Guests include members of Entombed, Cave In, Neurosis, Himsa, and Ghengis Tron. Obtain with haste.
Soulfly! Tribal tattoos for everybody! Back to the primitive and all that noise. Blah blah blah.
Actually this single five minute and fifty two second track from Torche’s split with Japanese WTF lords Boris is pretty gnarly, and no less gnarly for the tribal drumming that sparked the initial snap judgment above. Pigeon hole this!
The first half of the track is snappy menace and chanting at a marching pace. You are now arriving at the temple of doom. Please enjoy your stay. Two weeks later in the second half of our song. The excitement of arrival has faded and all that remains is sludgy menace and despair. Subwoofer destroying despair that impresses.
My recent introduction to Gaza was at this years Dudefest. While the sound in the Emerson Theater was pretty shitty, the raw intensity that these guys put into their set was chilling. Mosh pit on the stage. Enough said.
Regardless of what you think of their “War on religion”, it’s nice to see they put some effort into song titles. Unlike some other blatantly obvious anti-religious song titles like “Death to Jesus” (*cough looking at you Deicide). I’m looking forward to their new record as my first proper introduction to their style of jazzy-hardcore-skronk-grind-metal. Whatever the fuck that is/means. Hey, at least their not burning down churches and stabbing their band mates in the neck.
Check out a preview track over at BrooklynVegan and some great live footage from their Dudefest ’09 set below.
